I
have a confession: I love editing.
There.
I said it.
I
know this will come as a shock to some people, because there are lots of folks
who crave the creative freedom of drafting a story, and revising it is just so
. . . dull. The story's already written, and editing it is just fixing commas
and whatnot. Right?
Wrong.
I
mean, yes, for the love of punctuation, fix your commas, but that's not all
there is to editing. As you write your first draft, you will no doubt find
yourself adding events or mysteries and never getting back to them, or adding
something late in the book that comes completely out of nowhere. Or maybe your
characters have random conversations without a point, take multiple trips from
one end of the world to the other, and you've got three or four characters
fulfilling the same role.
Even
if you outline your story and think you know exactly where it's going to end
up, there are still often surprises and things that need to be fixed.
Characters get combined (or cut altogether!); trips across the world get
consolidated; extraneous plotlines get snipped; conversations and fight scenes
get focused until they're clear and make sense.
All
these things need to be fixed, and doing that will make your story stronger,
smarter, and help readers get through it without confusion.
Then
you reach the point where you're not fixing things so much as making them
better. Like how?
By
identifying important themes and symbols, and bringing them out and weaving
them throughout the story so they're consistent. By identifying character
motivations and making them stronger. By looking at every sentence and making
sure it is clear and says exactly what you want it to say. And by looking at
every word and making sure it's the strongest word you can use, and conveys
just the right emotion. (For example, maybe someone doesn't just walk, but they
mosey or saunter or plod.)
Admittedly,
this is one of the harder parts of editing: seeing what isn't there and
figuring out how to add it. But it's also the part where you bring your story
up to the next level -- where it goes from decent to good to GREAT.
But
beware the impulse to dive right into edits, especially after typing "The
End" on the first draft (what a great feeling!) or receiving the most
excellent of excellent critiques from crit partners or an editor. Take a few
days to think about the story, the comments, the concerns. Or a couple weeks!
The amount of time you need depends on you. Personally, nothing makes me clean
my house like receiving an edit letter with a deadline on the horizon; I think
it's preparation for the time of No Laundry While I'm Editing.
Yes,
it's a lot of work, but so is writing a first draft. And why put the effort
into writing a first draft if you're not going to make the final product the
best that it can be?
Because
that's what editing does: it peels off the layers of extra mush until you get
to the gem at the core. Every draft should get the story closer to the story
you really want to tell.
Jodi Meadows lives and writes in the Shenandoah Valley, Virginia, with
her husband, a Kippy*, and an alarming number of ferrets. She is a
confessed book addict, and has wanted to be a writer ever since she
decided against becoming an astronaut. Visit her online at www.jodimeadows.com.
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